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About Us
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1. What is The Wire?
The Wire is an independent, monthly music magazine covering a wide range of alternative, underground and non-mainstream musics. The Wire celebrates and interrogates the most visionary and inspiring, subversive and radical, marginalised and undervalued musicians on the planet, past and present, in the realms of avant rock, electronica, hiphop, new jazz, modern composition, traditional musics and beyond. Passionate, intelligent and provocative, The Wire wages war on the mundane and the mediocre. Its office is based in London, but it serves an international readership.
2. How old is The Wire?
The magazine was founded in 1982, primarily as a jazz and New Music magazine, with a brief to "unravel the mysteries of music and musicians for those who look for fundamental answers about the nature of music...". Between 1984-2000 it was owned by Naim Attallah's Namara Group. In December 2000 it was purchased in a management buy-out organised by the magazine's staff and has been run independently ever since.
3. Who is The Wire?
The magazine is run by a small, dedicated team of full-time staff, plus a large international roster of over 60 freelance writers, stationed at points across the globe. Acclaimed music critics and experts amongst our contributors include Kodwo Eshun, Biba Kopf, Ian Penman, Simon Reynolds, Mark Sinker and David Toop. 'Star' contributors have also included Brian Eno, Lee Ranaldo (Sonic Youth), Julian Cope, Greil Marcus, Robert Fripp, Jon Hassell, Robin Rimbaud, Paul Schütze and Howard Skempton.
4. What's The Wire's agenda?
There's no written constitution and no hardened music policy for inclusion or exclusion. The Wire seeks out the best current musics in, and between, all genres; and is committed to investigating music's past as well as its present and future. We are a 100 per cent independent operation, owned outright by the staff. There is no pressure from a publishing house to compromise our content, and we are at liberty to decide everything that's printed in our magazine - we won't let advertisers, record companies or press agents set the agenda.
5. How can I get hold of The Wire?
The magazine is available at all good newsagents and record shops in the UK. Click here for distribution details. If your local retailer doesn't appear to stock the magazine just ask and they should be able to get you a copy via their wholesaler without problem. We are also available at large retailers in the US and Japan like Tower, as well as selected, like-minded shops and newsagents in most European countries. But the best way to get hold of us is to subscribe: you receive your issues ahead of the street date, avoid import charges, and receive free CDs regularly.
6. What other advantages are there in subscribing?
You get free CDs or free issues with your subscription; you receive The Wire Tapper CDs regularly, as well as other exclusive subscription CDs; you get reduced rates on renewal; and you get various offers from relevant labels, galleries and publishers.
7. How do I submit a record for review?
All CDs, records, books, etc for inclusion in The Wire should be sent direct to our postal address. We can never guarantee to review or give feedback about any unsolicited material, but we listen to everything that comes our way (and there's a lot of it). Send to individual writers as well if you like, but bear in mind that they may not receive packages for several months, or may not tell us they've received them (so we'll be none the wiser). All unsolicited items become property of The Wire: send at your own risk. NB: we prefer not to receive demos or unsolicited MP3s; we cannot offer feedback or consultancy on music not intended for public consumption.
8. How can I become a contributor to The Wire?
If you are interested in writing for the magazine on a freelance basis, it's best to contact the editor, Chris Bohn, outlining any particular areas of interest, some suggested feature/review ideas, and enclosing some examples of your writing (either published or unpublished). We are always interested in submissions to our regular Global Ear section, a monthly report from a different town or city anywhere in the world.
All the portrait photography in The Wire is commissioned by our art director Ben Weaver. Live events photography is commissioned by Anne Hilde Neset, the magazine's Deputy Editor. So if you are a photographer interested in contributing to the magazine, drop a line to whichever seems most appropriate to the kind of work you do.
9. Do you publish writers' guidelines?
No.
10. What are your monthly deadlines for news, reviews, etc?
For news (Out There): normally the first day of the preceding month, ie: 1st September for the October issue, etc. For Reviews: we normally commission about 5-6 weeks before each issue appears. As a general rule, always send material as early as possible.
11. How do I advertise in The Wire?
Contact our Advertising Manager for rates, specs and info. Email Andy Tait at ads@thewire.co.uk, Tel +44 (0)20 7422 5014 Fax +44 (0)20 7422 5011. View more advertising information here.
12. What else does The Wire do?
We don't only publish a magazine. The Wire is regularly invited to curate and attend music events at a variety of international festivals. We work closely with annual events such as Sonar (Barcelona) and MUTEK (Montreal). We have also collaborated over the years with the now defunct Lux Centre (the Interference talks series, London), The Hayward Gallery (Sonic Boom, London), Futuresonic (Manchester), Batofar and Instants Chavires (Paris), Blå Club and Ultima Contemporary Music Festival (Oslo, Norway), Kongsberg Jazz Festival (Kongsberg, Norway), Molde Jazz Festival (Molde, Norway), Avanto (Helsinki, Finland), Impakt (Utrecht, Netherlands), Elektronikaldia (Donostia-San Sebastian), Periferias (Huesca, Spain), Le Weekend (St Andrews, Scotland), NOW Festival (Nottingham), WMF Club (Berlin), CMN Tours (UK), and the British Council (Tokyo/Osaka, Japan). We have published two books: Invisible Jukebox (Quartet 1997) and Undercurrents: The Hidden Wiring Of Modern Music (Continuum 2002). Many of our writers have authored books, and make music themselves. See our News page for news about extracurricular Wire activities, or subscribe to our news bulletin, The Conduit, to keep updated.
13. The Wire Design
2005-2007
Art director: James Goggin
2001-2005
Art directors: Kjell Ekhorn and Jon Forss of EkhornForss Ltd
1994-2000
Art director: Robin Hawes
1991-1993
Art direction: Brooke Auchinloss-Foremann, Mark Porter and Namara Design
1989-1990
Art director: Lucy Ward
1986-1988
Art director: Paul Elliman
1984-1985
Art direction: Namara Features Ltd
1982-1983
Art director: Terry Coleman
1. What is The Wire?
The Wire is an independent, monthly music magazine covering a wide range of alternative, underground and non-mainstream musics. The Wire celebrates and interrogates the most visionary and inspiring, subversive and radical, marginalised and undervalued musicians on the planet, past and present, in the realms of avant rock, electronica, hiphop, new jazz, modern composition, traditional musics and beyond. Passionate, intelligent and provocative, The Wire wages war on the mundane and the mediocre. Its office is based in London, but it serves an international readership.
2. How old is The Wire?
The magazine was founded in 1982, primarily as a jazz and New Music magazine, with a brief to "unravel the mysteries of music and musicians for those who look for fundamental answers about the nature of music...". Between 1984-2000 it was owned by Naim Attallah's Namara Group. In December 2000 it was purchased in a management buy-out organised by the magazine's staff and has been run independently ever since.
3. Who is The Wire?
The magazine is run by a small, dedicated team of full-time staff, plus a large international roster of over 60 freelance writers, stationed at points across the globe. Acclaimed music critics and experts amongst our contributors include Kodwo Eshun, Biba Kopf, Ian Penman, Simon Reynolds, Mark Sinker and David Toop. 'Star' contributors have also included Brian Eno, Lee Ranaldo (Sonic Youth), Julian Cope, Greil Marcus, Robert Fripp, Jon Hassell, Robin Rimbaud, Paul Schütze and Howard Skempton.
4. What's The Wire's agenda?
There's no written constitution and no hardened music policy for inclusion or exclusion. The Wire seeks out the best current musics in, and between, all genres; and is committed to investigating music's past as well as its present and future. We are a 100 per cent independent operation, owned outright by the staff. There is no pressure from a publishing house to compromise our content, and we are at liberty to decide everything that's printed in our magazine - we won't let advertisers, record companies or press agents set the agenda.
5. How can I get hold of The Wire?
The magazine is available at all good newsagents and record shops in the UK. Click here for distribution details. If your local retailer doesn't appear to stock the magazine just ask and they should be able to get you a copy via their wholesaler without problem. We are also available at large retailers in the US and Japan like Tower, as well as selected, like-minded shops and newsagents in most European countries. But the best way to get hold of us is to subscribe: you receive your issues ahead of the street date, avoid import charges, and receive free CDs regularly.
6. What other advantages are there in subscribing?
You get free CDs or free issues with your subscription; you receive The Wire Tapper CDs regularly, as well as other exclusive subscription CDs; you get reduced rates on renewal; and you get various offers from relevant labels, galleries and publishers.
7. How do I submit a record for review?
All CDs, records, books, etc for inclusion in The Wire should be sent direct to our postal address. We can never guarantee to review or give feedback about any unsolicited material, but we listen to everything that comes our way (and there's a lot of it). Send to individual writers as well if you like, but bear in mind that they may not receive packages for several months, or may not tell us they've received them (so we'll be none the wiser). All unsolicited items become property of The Wire: send at your own risk. NB: we prefer not to receive demos or unsolicited MP3s; we cannot offer feedback or consultancy on music not intended for public consumption.
8. How can I become a contributor to The Wire?
If you are interested in writing for the magazine on a freelance basis, it's best to contact the editor, Chris Bohn, outlining any particular areas of interest, some suggested feature/review ideas, and enclosing some examples of your writing (either published or unpublished). We are always interested in submissions to our regular Global Ear section, a monthly report from a different town or city anywhere in the world.
All the portrait photography in The Wire is commissioned by our art director Ben Weaver. Live events photography is commissioned by Anne Hilde Neset, the magazine's Deputy Editor. So if you are a photographer interested in contributing to the magazine, drop a line to whichever seems most appropriate to the kind of work you do.
9. Do you publish writers' guidelines?
No.
10. What are your monthly deadlines for news, reviews, etc?
For news (Out There): normally the first day of the preceding month, ie: 1st September for the October issue, etc. For Reviews: we normally commission about 5-6 weeks before each issue appears. As a general rule, always send material as early as possible.
11. How do I advertise in The Wire?
Contact our Advertising Manager for rates, specs and info. Email Andy Tait at ads@thewire.co.uk, Tel +44 (0)20 7422 5014 Fax +44 (0)20 7422 5011. View more advertising information here.
12. What else does The Wire do?
We don't only publish a magazine. The Wire is regularly invited to curate and attend music events at a variety of international festivals. We work closely with annual events such as Sonar (Barcelona) and MUTEK (Montreal). We have also collaborated over the years with the now defunct Lux Centre (the Interference talks series, London), The Hayward Gallery (Sonic Boom, London), Futuresonic (Manchester), Batofar and Instants Chavires (Paris), Blå Club and Ultima Contemporary Music Festival (Oslo, Norway), Kongsberg Jazz Festival (Kongsberg, Norway), Molde Jazz Festival (Molde, Norway), Avanto (Helsinki, Finland), Impakt (Utrecht, Netherlands), Elektronikaldia (Donostia-San Sebastian), Periferias (Huesca, Spain), Le Weekend (St Andrews, Scotland), NOW Festival (Nottingham), WMF Club (Berlin), CMN Tours (UK), and the British Council (Tokyo/Osaka, Japan). We have published two books: Invisible Jukebox (Quartet 1997) and Undercurrents: The Hidden Wiring Of Modern Music (Continuum 2002). Many of our writers have authored books, and make music themselves. See our News page for news about extracurricular Wire activities, or subscribe to our news bulletin, The Conduit, to keep updated.
13. The Wire Design
2005-2007
Art director: James Goggin
2001-2005
Art directors: Kjell Ekhorn and Jon Forss of EkhornForss Ltd
1994-2000
Art director: Robin Hawes
1991-1993
Art direction: Brooke Auchinloss-Foremann, Mark Porter and Namara Design
1989-1990
Art director: Lucy Ward
1986-1988
Art director: Paul Elliman
1984-1985
Art direction: Namara Features Ltd
1982-1983
Art director: Terry Coleman
Updated: 03/03/10